AudiologyOnline Phone: 800-753-2160


Starkey Genesis - August 2023

Revising Baseline Audiogram Due to STS

Robert L. Folmer, PhD

August 30, 2004

Share:

Question

A baseline audiogram was done in 1994. The patient had no STS (standard threshold shift) until this year, 2004. When do you change the baseline audio to the new audiogram?

Answer

According to the Occupational Safety & Health Administration (OSHA), if a standard threshold shift (STS) -- defined as an average of 10 dBA or more at 2000, 3000, and 4000 Hz -- occurs in either ear, the employer must follow certain procedures (outlined in the Occupational Noise Standard, 29 CFR 1910.95) including notifying the affected employee in writing. Hearing loss cases that meet specific criteria must be recorded on the OSHA 300 log according to the recordkeeping requirements of Standard 29 CFR 1904.10.

OSHA allows employers to revise the baseline by substituting the annual audiogram for the baseline audiogram when the reviewing professional (audiologist or physician) determines that an STS is persistent. Such a revision would serve to prevent the same STS from being identified repeatedly for an employee whose hearing has stabilized. As a corollary, an annual audiogram may be substituted for the baseline audiogram when thresholds have significantly improved.

When the professional evaluating the audiogram determines that a baseline revision is appropriate, whether due to a persistent STS or improved thresholds, the baseline must be revised for each ear separately. For example, although an employee's annual audiogram shows hearing thresholds deteriorating in both ears simultaneously, occasionally an audiogram will show that an employee is suffering an STS in only one ear. This can sometimes be attributed to working near a loud noise source that is close to the affected ear. If such a shift is shown to be persistent in the judgment of the professional evaluating the audiogram, then the baseline audiogram may be revised due to the persistent STS. A baseline audiogram that shows a persistent shift for only one ear may be revised for only that ear. The baseline may not be revised for the other unaffected ear. This procedure is required because it provides a clear indication of how each ear is affected by noise.

If you have additional questions, call the OSHA Office of Health Enforcement at (202) 693-2190.

References

Occupational Safety & Health Administration, U.S. Department of Labor. Standard Interpretations: Baseline audiogram revision due to persistent STS or improved thresholds; revision must be made for each ear separately. May 8, 2003.
www.osha.gov/pls/oshaweb/owadisp.show_document?p_table=INTERPRETATIONS&p_id=24565

National Hearing Conservation Association. Position Statement: Guidelines for Audiometric Baseline Revision. February 24, 1996.
www.hearingconservation.org/nhca/pos_audiometric.html


Robert Folmer earned B.A. and M.A. degrees in biology from San Francisco State University. He received his Ph.D. in Speech and Hearing Science from the University of California, San Francisco. In 1997 he joined the staff of the Oregon Health & Science University Tinnitus Clinic where he currently serves as Clinical Neurophysiologist and Assistant Professor of Otolaryngology. In addition to his duties evaluating and treating patients in the Tinnitus Clinic, Dr. Folmer also develops and presents hearing conservation curricula for school-age children.


Robert L. Folmer, PhD

Robert Folmer earned B.A. and M.A. degrees in biology from San Francisco State University.  He received his Ph.D. in Speech and Hearing Science from the University of California, San Francisco.  In 1997 he joined the staff of the OHSU Tinnitus Clinic in Portland where he currently serves as Clinical Neurophysiologist and Assistant Professor of Otolaryngology.  In addition to his duties evaluating and treating patients in the Tinnitus Clinic, Dr. Folmer also provides intraoperative neural monitoring during surgeries that involve the spinal cord or cranial nerves.


Related Courses

Innovative Audiologic Care Delivery
Presented by Rachel Magann Faivre, AuD, Lori Zitelli, AuD, Heather Malyuk, AuD, Ben Thompson, AuD
Recorded Webinar
AudiologyOnline

Presenters

Rachel Magann Faivre, AuDLori Zitelli, AuDHeather Malyuk, AuDBen Thompson, AuD
Course: #38661Level: Intermediate4 Hours
  'Clear information, a bit lengthy'   Read Reviews
This four-course series highlights the next generation of audiology innovators and their pioneering approaches to meeting unmet audiologic needs in their communities and beyond. This peer-to-peer educational series highlights researchers, clinicians, and business owners and their pioneering ideas, care delivery models, and technologies which provide desperately needed niche services and audiologic care.

View this Course for FREE.
Need CEUs? Become a AudiologyOnline member to get unlimited CEUs.

Only $129/yr

Learn More

Managing the Musician with Hearing Loss: Treatment Considerations, presented in partnership with Salus University
Presented by Brian J. Fligor, ScD, PASC
Recorded Webinar
AudiologyOnline

Presenter

Brian J. Fligor, ScD, PASC
Course: #41298Level: Intermediate1.5 Hours
  'This presenter is very organized and clearly presents the content'   Read Reviews
Musicians with hearing loss present with a unique set of needs and challenges. This course reviews the effective management of musicians within an audiology practice, with a focus on treatment considerations. Topics covered include prioritizing tinnitus, hyperacusis, diplacusis and hearing loss; engaging musicians in tinnitus management; and selecting and fitting hearing aids that also optimize music listening. This is part of a 2-part series presented in partnership with Salus University.

View this Course for FREE.
Need CEUs? Become a AudiologyOnline member to get unlimited CEUs.

Only $129/yr

Learn More

20Q: Occupational Audiometry
Presented by Deanna Meinke, PhD, CCC-A
Text/Transcript
AudiologyOnline

Presenter

Deanna Meinke, PhD, CCC-A
Course: #38504Level: Intermediate1.5 Hours
  'Very informative'   Read Reviews
Audiologists perform and review audiograms for many types of employers. This requires a fundamental understanding of the differences between regulatory agencies and best practices in the context of hearing threshold shifts, age corrections and baseline revisions. This course will advance your knowledge in occupational audiology and link you to many resources.

View this Course for FREE.
Need CEUs? Become a AudiologyOnline member to get unlimited CEUs.

Only $129/yr

Learn More

Managing the Musician with Hearing Loss, presented in partnership with Salus University
Presented by Brian J. Fligor, ScD, PASC
Recorded Webinar
AudiologyOnline

Presenter

Brian J. Fligor, ScD, PASC
Course: #32378Level: Intermediate3 Hours
  'Very informative and very well organized'   Read Reviews
This two-part series presented in partnership with Salus University reviews the fundamentals and effective management of working with musicians within an audiology practice. Topics covered include terminology, diagnostic testing considerations, interpreting noise surveys, and hearing protection devices. In addition to prioritizing tinnitus, hyperacusis, diplacusis and hearing loss; engaging musicians in tinnitus management. Treatment considerations, selecting and fitting hearing aids that also optimize music listening will be discussed.

View this Course for FREE.
Need CEUs? Become a AudiologyOnline member to get unlimited CEUs.

Only $129/yr

Learn More

Managing the Musician with Hearing Loss: Fundamentals and Diagnostics, presented in partnership with Salus University
Presented by Brian J. Fligor, ScD, PASC
Recorded Webinar
AudiologyOnline

Presenter

Brian J. Fligor, ScD, PASC
Course: #32161Level: Intermediate1.5 Hours
  'This material tended to allow my focus to drift first time through but I wanted to study this material again'   Read Reviews
Musicians with hearing loss present with a unique set of needs and challenges. This course reviews the fundamentals of effectively working with musicians within an audiology practice. Topics covered include terminology, diagnostic testing considerations, interpreting noise surveys, and important issues surrounding hearing protection devices that audiologists must be up to speed on to best serve musicians and audio professionals. This is part of a 2-part series, presented in partnership with Salus University.

View this Course for FREE.
Need CEUs? Become a AudiologyOnline member to get unlimited CEUs.

Only $129/yr

Learn More

Our site uses cookies to improve your experience. By using our site, you agree to our Privacy Policy.